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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently formed the pioneering techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of health issues.

"I ended up damage myself quite a bit," he commented in a recent interview. "I fractured lower vertebrae in my spine and cracked about multiple ribs and fractured my arm."

Following catching pneumonia and suffering from blood poisoning, he was put in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the summer, as he worked on a new album with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the fact that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense aspect of my life and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from being in a group, the connection is very tight," he added.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, alongside his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly produced an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a unique creative synergy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk perform on a television program Tomorrow's World, and began to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second most popular single of the early 80s, selling 21 million units worldwide. Together with successful tracks by other artists, contemporary bands and electronic acts, it contributed to cleared the path for the electronic music style of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's death

Professional Journey

Success had its benefits. "I enjoyed being able to purchase my initial property, having money and exploring, which might seem like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Sudden riches meant we could purchase substances to alleviate the boredom" of press appearances and television shows, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, releasing the Top 40 album Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they visited while recording their first two albums.

He noted that his time in hospital had influenced the band's sound.

"I experienced unusual memories when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."

The last versions were completed only a short time before Ball died. It is due for release in the spring of 2026.

By

Timothy Torres

A tech writer and digital strategist passionate about emerging technologies and their impact on business and society.

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